Review of Historical Fiction set in
Arthurian Britain (c.440-c.550)
Below I rate some historical Arthurian fiction I have
read (at least partly). I then give
detailed reviews of some of the better novels (as I judge them).
Finally, I discuss the choice of chronologies that authors have to
make, and why they make the choices they do. Note that I have
not included novels (e.g. those by Mary Stewart and Diana Paxson) in
which
the fantastical or anti-historical elements are so strong that they
would be better classified as historical fantasy rather than historical
fiction.
Ratings of the Novels
Author
|
Novel(s)
|
Year
|
Setting (i)
|
Writing Style
|
Plot and Characters |
Historical Contextulization |
Historical Realism |
Absence of Fantasy |
Subjective
Rating (/10)
|
|
|
|
|
|
|
|
|
|
|
Baxter, Steven
|
Coalescent (parts thereof)
|
2003
|
AE-
|
***
|
** |
**
|
**
|
***
|
6
|
Canning, Victor
|
The Crimson Chalice Trilogy
|
1976-78
|
C
|
***
|
**
|
*
|
**
|
*
|
5
|
Cornwell,
Bernard
|
The Warlord Chronicles |
1995-97
|
C
|
**** |
*** |
* |
*** |
* |
9 |
| Frankland, Edward |
Arthur, the Bear of Britain |
1944
|
L
|
* |
* |
** |
** |
** |
4
|
Finkel,
George
|
Twilight Province (Y)
|
1967
|
VL
|
***
|
**
|
**
|
***
|
***
|
7
|
| Fisk, Alan |
The Summer Stars |
2000
|
C(ii)
|
** |
** |
** |
** |
*** |
5
|
Gloag, John
|
Artorius Rex
|
1977
|
L
|
**
|
*
|
**
|
**
|
***
|
4
|
Godwin, Parke
|
Firelord
|
1980
|
C
|
***
|
**
|
**
|
**
|
*
|
6
|
| Lees, Frederick |
The Arthuriad of Catumandus |
1996
|
C
|
** |
** |
*** |
* |
** |
7 |
| Hollick, Helen |
The Pendragon's Banner Trilogy |
1994-97
|
E
|
* |
* |
** |
** |
** |
5
|
| McCormack,
Patrick |
The Albion Trilogy |
1997-(iii)
|
C
|
*** |
** |
*** |
*** |
* |
8
|
Manfredi, Valerio
|
The Last Legion (translation) |
2003
|
AE+
|
*
|
* |
*** |
* |
** |
3
|
O'Meara, Walter
|
The Duke of War (Y)
|
1966
|
C
|
***
|
**
|
**
|
***
|
***
|
5
|
Reeve, Phillip
|
Here Lies Arthur (Y)
|
2007
|
AC+
|
***
|
**
|
**
|
***
|
***
|
6
|
| Rice, Robert |
The Last Pendragon |
1991
|
L
|
** |
** |
** |
** |
*** |
6 |
| Sutcliff,
Rosemary |
The Lantern Bearers
(Y) & Sword at
Sunset |
1959-63
|
C
|
*** |
** |
** |
** |
** |
8 |
| Whyte, Jack |
The Camulod Chronicles & Golden Eagles
|
1993-2005
|
VE
|
* |
* |
* |
* |
** |
2
|
Wolf, Joan
|
The Road to Avalon
|
1988
|
E
|
***
|
**
|
**
|
*
|
*
|
5
|
Notes:
(Y) indicates a book
aimed at younger readers.
(i) For the letters in the column "Setting", see below
for an explanation.
(ii) Fisk is inconsistent in his setting - in the first paragraph the
narrator (Taliesin) says the battle of Badon was in 515, but several
times later he
implies it was c.495.
(iii) The third book in the Albion
trilogy, The
Lame Dancer, is unpublished, and
was provided to me in private communication by the author, Patrick
McCormack, in 2007. Click the name to dowload a print-ready pdf file I
have put up on my site.
Detailed Reviews
The Arthuriad of
Catumandus by Frederick Lees.
Summary
This novel puports to be a history written by one Catumandus (Cadfan),
an ex-patriot Britain living in the Eastern Roman Empire, in about 535
A.D. Lees goes so far as to invent a story as to how he (Lees) obtained
the papyrus manuscript by Cadfan. As its title suggests, it is
primarily
about Arthur, and Cadfan is in fact Arthur's illegitimate son,
conceived
in the dying days of the Roman Empire in Gaul. Over the course of the
novel
we find out about events going back to the invitation of the Saxons
by Vortigern. The main narrative begins when Cadfan arrives in Britain,
as an Imperial envoy, not long before the battle of Badon. In this
respect
it is more in the tradition of Arthurian romances (as begun by Geoffrey
of Monmouth),
where the decisive defeat of the Saxons was only the start of the tale.
The story follows the fate of the Britons up
to the battle of Camlann, after which Cadfan returns to the East.
Likes
1. Lees puts Arthur's Britain in the wider historical context of the
Roman Empire. The death throws of the Western Empire and the revival of
the Eastern play important parts, and no historical facts are
contradicted.
2. He uses the oldest Welsh and Anglo-Saxon traditions for creating
the characters and politics of Britain. For example, the Welsh
genealogies
are the source for the kings of the petty British kingdoms.
3. Lees has a strict chronological framework and he sticks to it. There
are no obvious inconsistencies in the work.
4. He manages to tell the story in one moderately sized novel.
Dislikes
1. Lees incorporates too much of the Arthur of the Romances in a
literal
way, which was not convincing to me. To give just a few examples: the
holy
grail, the Fisher king, the siege perilous, the incest with Morgan.
Lees tries to make them fit into his strict dark-age
context but
they
just don't belong.
2. The relations between Gwenwhyfar and Cadfan, and her past
relationship
with Lasanleawg (Lancelot) I found rather tedious. The same goes
for Cadfan's sex life.
3. Myrddin (Merlin) I also found rather tedious. He is another
anachronistic
character (he actually belongs a few generations after Arthur). This
wouldn't
matter except that Lees knows that Myrddin is out of place so he has to
arrange for him to have a grandson, also called Myrddin, to be around
at
the right time. This is another example of Lees trying too hard to
reconcile
the authentic history and the Romances.
4. The descriptions of battle are poetic rather than realistic:
blood-soaked ground, shining blades etc. I guess this might just be
Cadfan,
but I found it lost my interest.
Timeline
428 Hengest is invited
to Britain.
452 Arthur born.
460-75 Ambrosius is sureme ruler of Britain.
497 Battle of Badon.
517 Battle of Camlann.
The Warlord Chronicles by
Bernard Cornwell
Summary
Like The Arthuriad,
Cornwell's trilogy (The
Winter King, Enemy of God, Excalibur)
also puports
to be a written narrative by one of Arthur's younger contemporaries
(but
unlike Lees, Cornwell does not pretend to be the owner of Derfel's
vellum
manuscript). Derfel is one of Arthur's warriors who becomes a monk, and
is based on a character in Welsh hagiography who was said to have
fought with
Arthur
at Camlann. Derfel tells the tale, almost all from first-hand
knowledge, of
how Arthur rose to power in Dumnonia, forced the Britons into a sort of
unity, was betrayed, recovered, thrashed the Saxons at Badon and
finally
met his end at Camlann. Also intertwined are some traditional Welsh
themes,
including Tristan and Iseult and the hunt for the 13 treasures of
Britain.
Likes
1. This novel for me captures the spirit of the British
Dark Ages politics better than any other. The level of organisation,
the
civil wars between the British states, the struggle for succession on
the
death of a king, the importance of dynastic marriages, and the
negotiations
between Briton and Saxon are all convincingly portrayed.
2. The description of battle is detailed,
engrossing,
and, from what I've read elsewhere, realistic.
3. There is some humour. Merlin in particular is
quite
a character.
4. There is no feeling of inevitability about the
plot.
Partly this is because Cornwell has invented new story lines rather
than
selecting from the old ones. But also one feels the characters to be
free
agents, not being guided by the hand of fate which hovers ponderously
in some novels.
5. Arthur, Derfel, and many other characters are
likeable
and believable, but also people the reader could look up to. I guess I
am just old fashioned, but it pleases me to have characters like this.
Other characters are too villanous to be believable, but this is
because
they are Derfel's personal enemies so we can't expect an unbiassed
portrait.
6. Mordred is not Arthur's son. He is Arthur's half-nephew, and is
the rightful heir to the throne of Dumnonia. This is more in line with
the old Welsh traditions and also made for a better plot I thought.
Dislikes
1. There is a supernatural element which had an ambiguous status
(i.e. it was not clear whether it was real or not). This I did not mind
except that in the last book it becomes too overt for my liking (and
almost took the novel into the realm of historical fantasy).
2. Paganism (druids, human sacrifice etc.) is unrealistically
prevalent.
The one thing Gildas (writing probably at most a generation after
Arthur)
did not criticize the rulers of his day for was paganism.
3. Cornwell does not make use of the known (or at least traditional)
history and genealogies of the time. He makes no mention of
Ambrosius
or Vortigern, who are surely the most important Britons of the time
preceding
Arthur (although he does mention Cunedda in passing). There is no
mention
of the Roman Syagrius in Gaul, even though he would have been in power
at the time Arthur was supposed to have been there.
4. The geographical extent of the British kingdoms do not correspond
to what we know. There is no way that Gwent would have once extended
into
the middle of Britain, or Dumnonia as far as Sussex.
5. Cornwell is slightly inconsistent in his chronology in various
places. The worst is that, at least to
my reading, Derfel starts off about 10 years younger than Arthur, but
ends
up close to him in age.
Timeline
455 Arthur born.
497 Battle of Badon.
504 Battle of Camlann.
The Lantern
Bearers and Sword at Sunset by
Rosemary Sutcliff
Summary
Sutcliff's children's novel The
Lantern Bearers, and its adult sequel Sword at Sunset are the most
influential historical Arthurian novels of the last century. They tell the history
of Britain from its final abandonment by the Roman army (which
Sutcliff puts in c.447) to the death of Arthur. Strictly, Arthur is
only
mortally wounded at the end of Sword
at Sunset, as he is its narrator.
The earlier novel is narrated by Aquila, a Roman soldier. Sutcliff's
story follows fairly closely the narrative of Geoffrey of Monmouth,
except that she ignore's Arthur's fictional career as conquerer of
Western Europe. But
she also weaves in bits from the Anglo-Saxon
chronicle, Welsh legends, French Romances, and even archaeology.
Likes
1. There is no fantasy in these novels - they
are straightforward, realistic, and powerful.
2. The historical context is strong, with references to events in the
Roman Empire and back to the late 4th century.
Dislikes
1. The story is too predictable. This comes from
following Geoffrey of Monmouth I suppose.
2. Sutcliff also has severe problems of internal inconsistency.
There
seems to be about a ten year dislocation at the boundary of the two
books, but there is also a discrepancy of at least seven years in the opposite direction (regarding
the birth date of Cerdic, son of Vortigern and Rowena) and other
miscellaneous discrepancies of up to four years.
3. Although there is no fantasy, the hand of fate was annoyingly
present.
4. The political context, and the way battles are conducted were less
realistic to me than in Cornwell's novels.
Timeline
(as best I could make out)
445 Arthur born.
460-491 Ambrosius is ruler of Britain.
491 Battle of Badon.
512 Battle of Camlann.
Twilight
Provice by George Finkel
Summary
The only book in my list by an Australian, Finkel's Twilight Province is aimed at
younger readers. It is told by Bedwyr, prince of the eponymous Province
in northern Britain, looking back on the life of Arthur. Many of the
traditional Arthurian characters are here, although sometimes in
surprising form – Lancelot become Olans, a Gothic warrior. The story is
not tied to any Arthurian tradition, but follows a typical line, with
Badon being towards the end of the book.
Likes
1. This is definitely an historical novel – no fantasy or hand of fate
here.
2. It places 6th century Britain in a firm historical context, through
Bedwyr's two voyages to Constantinople.
3. The size of armies was realistic, and battles were described well if
not as thrilingly as by Cornwell.
4. It has some nice line drawings. I particularly like that in the
final chapter
showing a middle-aged Bedwyr looking out over Constantinople.
5. Like Cornwell, Lees avoids the incest motif. He does include a quest
for the holy grail, but in a charming way.
Dislikes
1. The relationships were sanitized, I guess becauses this is for
younger readers.
2. The lack of contact between the British states (prior to Arthur's
becoming Dux Bellorum) is
unrealistic. So is the peacefulness of Bedwyr's province for
generations prior to c.520.
3. The peaceful transition of the population of Bedwyr's province from
mainly British-speaking to mainly Saxon-speaking population is at odds
with both nation's traditions. Finkel's Britons are clearly the
mid-20th century English in disguise, so Finkel wants them to be linked
culturally and by descent.
4. Little use is made of the information in Gildas. Vortigern is not
mentioned, and Ambrosius plays a very small role.
5. Some of the line drawings are anachronistic, showing rectangular or
kite-shaped shields, horned helmets, and stirrups.
Timeline
c.504 Arthur born.
524-535 Arthur's victories.
538 Arthur's death.
The Albion
Trilogy by Patrick McCormack
Summary
Unlike the other books reviewed in detail here, The Albion trilogy (The Last Companion,
The White Phantom,
and The Lame
Dancer)
is told in third person, from the point of view of many different
characters. The two most important are Bedwyr and his much younger
companion Nai. The story takes place around 520, thirty years after the
battle of Badon, and ten years after Camlann, but through flashbacks
and narrations by various characters, details of the past are revealed.
These episodes are concentrated in the periods 475-78 and 493-497,
before and after Arthur's great battles.
The story centres around the Chalice
of Sovereignty,
a cup held by a clan of the Attecotti (a tribe of western Scotland)
supposedly since the Britons lost sovereignty to the Romans. In
mysterious circumstances Arthur leads a naval expedition to reclaim the
chalice in 493, and he is acclaimed the Amherawdyr (Emperor) of
Britain. Now, ten years after his death, various kinglets seek to gain
the chalice for themselves, while Nai and Bedwyr try to prevent this
from happening.
Likes
1. McCormack has researched the history and Welsh legends of these
times very thoroughly, and has woven them together expertly. He almost
completley avoids the influence of Geoffrey of Monmouth or the Romances.
2. His descriptions of life are full of detail and completely
convincing, especially life in the decaying towns of the Britons.
3. Like The Arthuriad, the
story has a consistent internal time-frame.
4. The characters are complex and flawed, but there is much to admire
in some of them.
Dislikes
1. There are strong elements of fantasy in the ability of characters to
foretell the future, and in the way legends of the past are repeated in
the present.
2. Sometimes the narration of past events by certain characters goes on
for an implausibly long time given the setting in which they
are supposed to be telling the story.
3. The novels have many plot threads, which is fine, except that there
seem to be a few loose ends.
4. There are few descriptions of full-scale battles --- most of the
fights are between a handful of warriors on each side.
Timeline (personal communication from the author)
425- Vitolinus = Vortigern is high-king of Britain.
452 Arthur born. (Bedwyr a few years later.)
460 Ambrosius becomes Magister Militum.
475 Arthur and
Gwenwhyfar wed.
480 Arhur becomes Magister Militum.
490 Battle of Badon.
493 Arthur gains the Chalice of Sovereignty.
510 Battle of Camlann.
Comments on the Timelines
Of the five books or series reviewed in detail
above, all but one (Twilight
Province) agree remarkably in their timeline: Arthur is born in
445x455, Badon is fought in 490x497, and Camlann is fought in 504x517.
Since the battle of Badon is the only one of these events which is
surely historical, it is arguably the crucial event as regards the
setting of any historical novel in Arthurian Britain. Of the 17 novels
or series tabled above, 8 (almost half) follow a similar timeline to
that just outlined, including in particular:
C
Arthur leads the Britons to victory at Badon in 490x500
Here C stands for consensus,
or conventional, or customary. However, some novels or series in the
above have an Early or Late setting for Badon:
E
Arthur leads the Britons to victory at Badon in 465x480
L Arthur
leads the Britons to victory at Badon in 515x525
There are a few examples of Very
Early and Very Late settings:
VE
Arthur leads the Britons to victory at Badon before 460
VL
Arthur leads the Britons to victory at Badon after 530
Finally, there are a few Anomalous
settings
AX-
Arthur is a war-leader in Britain before Ambrosius' victory at Badon, with
that battle dated as in the
X time-frame
AX+ Arthur is
a war-leader in Britain after Ambrosius'
victory at Badon, with that battle dated as in the
X time-frame
It is interesting to consider the historical or
pseudohistorical material which leads different authors to choose
different settings. The basis for choosing an Anomalous setting is that Gildas,
the only reliable source for Badon, mentions Ambrosius but does not
mention Arthur at all. (It should be noted however that Gildas only
names Ambrosius as the British leader in a battle a long time before
Badon, perhaps as many as 44 years before --- see my
article.) The AX+ case is
expected because
Nennius mentions Arthur after Ambrosius. The sole AX- setting comes from wishing to
identify Arthur with Riothamus, the King of the
Britons who was defeated in Gaul in c.470.
The identification of Arthur with Riothamus is also
probably the chief motivation for those authors (Hollick, Wolf) who
choose the Early settings. I
don't think it is worth speculating about Whyte's motivation for
choosing a Very Early setting. Finkel's
motivation for a Very Late setting is, I suspect, merely
because he wanted Arthur's victories to depend upon help from
Justinian (527-65). The remaining cases are more involved.
The Late
setting for Badon, which is the one I have adopted in my
reconstruction, is best justified by the following:
- The Annales Cambriae,
the oldest document to assign dates to Arthur's battles, puts Badon in
c.517.
- The Anglo-Saxon Chronicle claims no victories for the English
against the Britons between 514 and 552, a period of 37 years, which is
twice as
long as any other such period in the early stages of the English
conquest (449 to 614).
The significance of the latter point is that this period should include
the considerable time after Badon in which "foreign wars have ceased"
according to Gildas.
The Concensus
view probably owes much to the influence of John Morris' The Age of Arthur (1973), which is
explicity acknowledged by the novelists Godwin and Paxson among others.
It is best justified by
the following:
- Bede's Ecclesiastical History, the oldest document to date
(albeit approximately) the battle of Badon, indicates a date of 489x493.
- The Historia Brittonum (Nennius)
has a "dangling date"of 497. The missing referent is possibly the
battle of Badon.
- The (12th century) Chronicle
of Ystrad Fflur dates the battle of Badon to 496.
- The Historia Brittonum seems
to indicate a date of 428 for the arrival of the English.
- The Gallic Chronicles indicate a date of 440x444 for an English
takeover of a substantial part of Britain.
The relevance of the last two points is that these dates are roughly 15
years earlier than the dates in the Anglo-Saxon Chronicle for the
Briton's first appeal to the Angles (443) and for the revolt of Hengest
(455). If this correction (or, as Morris argues, a 20 year correction)
is made to the subsequent dates in the Anglo-Saxon chronicle, for the
next eighty years, then the period of peace mentioned above would
begin in 494 (or 489 respectively). This would agree roughly with
Bede's
dating of Badon. It should be pointed out, however, that Bede's date
for Badon is almost certainly based on adding the infamous
Gildasian 44 years to his date for the English advent, 445x449,
while the Anglo-Saxon Chronicle almost certainly follows Bede in its
dating for the English advent (443 or 449). Thus if all the early dates
in the Anglo-Saxon chronicle are moved earlier by 15 or 20 years, then
Bede's date for the English advent must move as well, and Bede's date
for Badon would
presumably also move to c. 473.
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